Slow progress

I was quite busy and my head hasn’t been with writing blog posts in the past two weeks. Also not a lot was done to the coat. I intended to take it to my annual 5-day “weekend” with my sewing friends and complete it there, but changed my plans into sewing easy knit dresses for both me and my daughter and a pants sloper. The event was this past weekend and it was such good fun. Lots of sewing and knitting done by all of us, talked about all subjects you talk about between girls and just had a very good time together.

Another thing that is keeping my mind busy is that I might start giving sewing lessons/workshops next year. An opportunity came across and I’ve been thinking a lot about how to do it, what courses to offer etc. It will be something I will do next to my regular work, though it’s been on my mind for a long time to do this and share and meet with creative people. So much to think about….

Back to the coat. I’ve a few pictures to share of the inside of the front.

Floating shoulder piece

The facing not sewn yet, this was just to see how it would be with buttons. I will check other options as I’m not completely fond of the button closure.

Short coat–Lekala 4625 back

It took me some time to find a pattern I wanted and could sew with the fabric I had. As this fabric was bought with the intention of sewing a Chanel style jacket I had only about two meters of fabric. Think it was a remnant piece as there were strange cut offs on both sides, probably for samples.
Having two meters to sew a coat is not much, to say the least. My choice of patterns was very limited and I settled for this Lekala pattern.

I will try to find an accent fabric for the belt/closing and if I can’t find it, I might skip that detail and sew buttonholes. I’m also thinking of adding pockets. A coat without pockets isn’t very good, don’t you think?
After roughly cutting the fabric pieces I block-fused them with a thin fusible interfacing. This I bought at the English couture company in the UK. (I used to buy most of my interfacing at Fashion Sewing supply from Pam Erny, but as they don’t ship internationally anymore I had to find another resource and this is certainly a good one. Great quality too).
The interfacing gives more stability to the fabric and keeps it from ravelling.
From that point I treat the fabric as the base fabric, meaning that I still added interfacing as I would for any jacket or coat that I did not block fuse with thin interfacing first.

A back stay is added. The darts are pressed in the opposite direction from the darts of the main fabric. It could be better to stitch the seams with a catch stitch to keep them down. Something for another evening.

A walking foot is almost a must to keep the lines matching.

A drafting experiment

The dress I made was cut on the bias and as a result I had a bit of fabric left. It inspired me to sew this top as experiment for rotating darts out to the neckline and create tucks. It’s a style I don’t use as in commercial patterns there is usually so much ease around the bust added that I I feel it makes me look huge. Still I wanted to try this. The result is better than I hoped because no extra ease is added at bust height. Not the very best style on me but wearable.

I made the shoulder seam with the instructions from Sara Alm’s Craftsy class Facings and linings. Very neat method. Definitely a good alternative to the way I used before.

For those interested the pattern drafting phases. The shoulder, armhole and bust dart are rotated out, creating space at the new tuck lines.

In the end I did not sew the waist dart.

To conclude a first picture of my next project. Pattern pieces cut and block-fused. It’s a souvenir fabric I bought a few years ago in New York. At the time I thought I would make a Chanel-style jacket of it, but I’m not really wanting one any more. It will be a short coat. More on that later.

A self-drafted dress

This week I started and finished the dress I drafted. I made a few changes to the pattern, based on the muslin and comments and am quite happy with the result.

Let’s start with some pictures of the dress as is and some of how I’ll wear this.

My intention from the start was to wear it with a belt.

A combination for the coming season. The weather here is not for sleeveless dresses.

And finally some pictures from the inside. I used a lining fabric with some stretch. It’s basically my sloper pattern with a straigh skirt. The facing for the back is a separate layer over the lining fabric, a method I use often.

The construction of the dress is the same as I showed last year for a sleeveless top. In this dress I added a zipper in the left side seam, to make it easier to get it over my head.

Rotating darts out, creating a smooth curve

For the skirt of my dress I wanted an A-line. This means that the dart is rotated so that  the side seam will be wider. The picture below shows the bottom part of my sloper. When the dart is cut and the dotted line below you can fold the dart lines together, creating the A-line shape.

There is one disadvantage though when you have a large difference in your hip/waist measurements. The dart on the sloper is wide, which makes for a rather steep angle when you fold the dart out. Making it to a nice curve will shorten the waistline quite a bit.

The solution is using two darts. On top is the original sloper as above, below the same part of the sloper, but the darts are changed in two smaller darts.

After the darts are rotated out, the curve of the one with two darts is much smoother. Below I’ve added a red line indicating the one-dart version.

Removing or adding darts is always a design decision and (for me at least) there’s no right or wrong. There will be other ways to do it but this is how I do it.

The dress is coming along nicely. hope to show results soon.